![Portrait of the Marquesa de Santiago by Francisco José de Goya y Lucientes Francisco de Goya]()
Portrait of the Marquesa de Santiago by Francisco José de Goya y Lucientes Francisco de Goya![Charles IV of Spain and His Family (ca. 1800-1801) by Francisco Goya.]()
Charles IV of Spain and His Family (ca. 1800-1801) by Francisco Goya.![Francisco Goya 's Tiburcio Pérez y Cuervo (1785/86–1841), the Architect (1820) famous painting.]()
Francisco Goya 's Tiburcio Pérez y Cuervo (1785/86–1841), the Architect (1820) famous painting.![Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883)]()
Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883)![Friar Pedro Clubs El Maragato with the Butt of the Gun by Francisco José de Goya y Lucientes]()
Friar Pedro Clubs El Maragato with the Butt of the Gun by Francisco José de Goya y Lucientes![El Maragato Threatens Friar Pedro de Zaldivia with His Gun by Francisco José de Goya y Lucientes]()
El Maragato Threatens Friar Pedro de Zaldivia with His Gun by Francisco José de Goya y Lucientes![Friar Pedro Binds El Maragato with a Rope by Francisco José de Goya y Lucientes]()
Friar Pedro Binds El Maragato with a Rope by Francisco José de Goya y Lucientes![Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun by Francisco José de Goya y Lucientes]()
Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun by Francisco José de Goya y Lucientes![Francisco Goya 's Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers (1804) famous painting.]()
Francisco Goya 's Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers (1804) famous painting.!['Punctual Folly' from the 'Disparates' (Follies / Irrationalities. Plate B) by Goya (Francisco de Goya y Lucientes)]()
'Punctual Folly' from the 'Disparates' (Follies / Irrationalities. Plate B) by Goya (Francisco de Goya y Lucientes)![Francisco Goya 's Charles IV of Spain as Huntsman (c. 1799-1800) famous painting.]()
Francisco Goya 's Charles IV of Spain as Huntsman (c. 1799-1800) famous painting.![Francisco Goya 's Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)(1804) famous painting.]()
Francisco Goya 's Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)(1804) famous painting.![binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish…]()
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish…![Spanish Entertainment from the 'Bulls of Bordeaux' by Goya (Francisco de Goya y Lucientes)]()
Spanish Entertainment from the 'Bulls of Bordeaux' by Goya (Francisco de Goya y Lucientes)![Three women, one in the foreground drawing water from a well, two in the background washing; folio 45 (recto) from the…]()
Three women, one in the foreground drawing water from a well, two in the background washing; folio 45 (recto) from the…![Francisco Goya - Portrait of Ferdinand VII of Spain in his robes of state (1815) - Prado]()
Francisco Goya - Portrait of Ferdinand VII of Spain in his robes of state (1815) - Prado![Where is Mother Going?, plate 65 from Los Caprichos by Francisco José de Goya y Lucientes]()
Where is Mother Going?, plate 65 from Los Caprichos by Francisco José de Goya y Lucientes![There They Go Plucked (i.e. fleeced), plate 20 from Los Caprichos by Francisco José de Goya y Lucientes]()
There They Go Plucked (i.e. fleeced), plate 20 from Los Caprichos by Francisco José de Goya y Lucientes![binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish…]()
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish…![Bravo!, plate 38 from Los Caprichos by Francisco José de Goya y Lucientes]()
Bravo!, plate 38 from Los Caprichos by Francisco José de Goya y Lucientes![Narcisa Barañana de Goicoechea attributed to Francisco de Goya]()
Narcisa Barañana de Goicoechea attributed to Francisco de Goya![Neither more nor less, plate 41 from Los Caprichos by Francisco José de Goya y Lucientes]()
Neither more nor less, plate 41 from Los Caprichos by Francisco José de Goya y Lucientes![Here Comes the Bogeyman, plate three from Los Caprichos by Francisco José de Goya y Lucientes]()
Here Comes the Bogeyman, plate three from Los Caprichos by Francisco José de Goya y Lucientes![Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F by Francisco José de Goya y Lucientes]()
Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F by Francisco José de Goya y Lucientes![Plate 72 , from 'Los Caprichos': You will not escape (No te escaparàs.) by Goya (Francisco de Goya y Lucientes)]()
Plate 72 , from 'Los Caprichos': You will not escape (No te escaparàs.) by Goya (Francisco de Goya y Lucientes)![The daring of Martincho in the ring at Saragossa, plate 18 from The Art of Bullfighting by Francisco José de Goya y Lucientes]()
The daring of Martincho in the ring at Saragossa, plate 18 from The Art of Bullfighting by Francisco José de Goya y Lucientes![Ridiculous Folly, from the 'Disparates' (Follies / Irrationalities) by Goya (Francisco de Goya y Lucientes)]()
Ridiculous Folly, from the 'Disparates' (Follies / Irrationalities) by Goya (Francisco de Goya y Lucientes)![Crowd in a Park; page 31 from the 'Images of Spain' album (F) by Goya (Francisco de Goya y Lucientes)]()
Crowd in a Park; page 31 from the 'Images of Spain' album (F) by Goya (Francisco de Goya y Lucientes)![The Agility and Audacity of Juanito Apinani in the ring at Madrid, plate 20 from The Art of Bullfighting by Francisco José…]()
The Agility and Audacity of Juanito Apinani in the ring at Madrid, plate 20 from The Art of Bullfighting by Francisco José…![Be Careful with that Step! by Francisco José de Goya y Lucientes]()
Be Careful with that Step! by Francisco José de Goya y Lucientes!['Flying Folly' from the 'Disparates' (Follies / Irrationalities) by Goya (Francisco de Goya y Lucientes)]()
'Flying Folly' from the 'Disparates' (Follies / Irrationalities) by Goya (Francisco de Goya y Lucientes)![Picador Caught by a Bull, from The Bulls of Bordeaux by Francisco José de Goya y Lucientes]()
Picador Caught by a Bull, from The Bulls of Bordeaux by Francisco José de Goya y Lucientes![Francisco Goya y Lucientes, Painter, plate one from Los Caprichos by Francisco José de Goya y Lucientes]()
Francisco Goya y Lucientes, Painter, plate one from Los Caprichos by Francisco José de Goya y Lucientes![binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish…]()
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish…![He Can No Longer at the Age of Ninety-Eight by Francisco José de Goya y Lucientes Francisco de Goya]()
He Can No Longer at the Age of Ninety-Eight by Francisco José de Goya y Lucientes Francisco de Goya![De que mal morira? =: How Bad Will He Die? Collection: Images from the History of Medicine (IHM) Uniform Title(s):…]()
De que mal morira? =: How Bad Will He Die? Collection: Images from the History of Medicine (IHM) Uniform Title(s):…![The Proverbs: If Marion Will Dance, Then She Has to Take the Consequences by Francisco de Goya]()
The Proverbs: If Marion Will Dance, Then She Has to Take the Consequences by Francisco de Goya![Portrait of Infante Don Luis de Borbon by Anton Raphael Mengs]()
Portrait of Infante Don Luis de Borbon by Anton Raphael Mengs![Plate 45 from 'Los Caprichos: There is Plenty to Suck (Mucho hay que chupar)]()
Plate 45 from 'Los Caprichos: There is Plenty to Suck (Mucho hay que chupar)![Plate 5 from 'The Tauromaquia': The spirited Moor Gazul is the first to spear bulls according to the rules]()
Plate 5 from 'The Tauromaquia': The spirited Moor Gazul is the first to spear bulls according to the rules!['Merry Folly' from the 'Disparates' (Follies / Irrationalities)]()
'Merry Folly' from the 'Disparates' (Follies / Irrationalities)![Plate 54 from 'Los Caprichos': The shamefaced one (El Vergonzoso.)]()
Plate 54 from 'Los Caprichos': The shamefaced one (El Vergonzoso.)![binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish…]()
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish…![binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish…]()
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish…![Plate 26 from 'The Disasters of War' (Los Desastres de la Guerra): 'One can't look.' (No se puede mirar.)]()
Plate 26 from 'The Disasters of War' (Los Desastres de la Guerra): 'One can't look.' (No se puede mirar.)![binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish…]()
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish…![The Proverbs: Two Heads are Better than One or Poor Folly by Francisco de Goya]()
The Proverbs: Two Heads are Better than One or Poor Folly by Francisco de Goya![Plate 61 from 'The Disasters of War' (Los Desastres de la Guerra): 'Perhaps they are of another breed.' (Si son de otro…]()
Plate 61 from 'The Disasters of War' (Los Desastres de la Guerra): 'Perhaps they are of another breed.' (Si son de otro…![A man breaking up a fight; page 82 from the 'Images of Spain' album (F)]()
A man breaking up a fight; page 82 from the 'Images of Spain' album (F)![Plate 30 from 'The Disasters of War' (Los Desastres de la Guerra): 'Ravages of War.' (Estragos de la guerra.)]()
Plate 30 from 'The Disasters of War' (Los Desastres de la Guerra): 'Ravages of War.' (Estragos de la guerra.)!['Nothing is Known of This' ; two figures picking up a body in front of a church, a monk singing next to them and another in…]()
'Nothing is Known of This' ; two figures picking up a body in front of a church, a monk singing next to them and another in…![A nun frightened by a ghost playing a guitar; page 65 from the 'Images of Spain' album (F)]()
A nun frightened by a ghost playing a guitar; page 65 from the 'Images of Spain' album (F)![Plate 36 from 'The Disasters of War' (Los Desastres de La Guerra): 'Not [in this case] either.' (Tampoco.)]()
Plate 36 from 'The Disasters of War' (Los Desastres de La Guerra): 'Not [in this case] either.' (Tampoco.)![Plate 20 from 'Los Caprichos': There they go plucked (i.e. fleeced) (Ya van desplumados.)]()
Plate 20 from 'Los Caprichos': There they go plucked (i.e. fleeced) (Ya van desplumados.)![Plate 18 of the 'Tauromaquia': The daring of Martincho in the ring at Zaragoza]()
Plate 18 of the 'Tauromaquia': The daring of Martincho in the ring at Zaragoza![Revenge on Constable Lampiños; page 86 from the 'Images of Spain' album (F)]()
Revenge on Constable Lampiños; page 86 from the 'Images of Spain' album (F)![Plate 18 from 'The Disasters of War' (Los Desastres de la Guerra): 'Bury them and keep quiet.' (Enterrar y callar.)]()
Plate 18 from 'The Disasters of War' (Los Desastres de la Guerra): 'Bury them and keep quiet.' (Enterrar y callar.)![Plate 44 from 'The Disasters of War' (Los Desastres de la Guerra): 'I saw it.' (Yo lo vi.)]()
Plate 44 from 'The Disasters of War' (Los Desastres de la Guerra): 'I saw it.' (Yo lo vi.)![Plate 63 from 'The Disasters of War' (Los Desastres de la Guerra): 'Harvest of the dead.' (Muertos recogidos.)]()
Plate 63 from 'The Disasters of War' (Los Desastres de la Guerra): 'Harvest of the dead.' (Muertos recogidos.)![binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish…]()
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish…![Plate 44 from 'The Disasters of War' (Los Desastres de la Guerra): 'I saw it.' (Yo lo vi.)]()
Plate 44 from 'The Disasters of War' (Los Desastres de la Guerra): 'I saw it.' (Yo lo vi.)![Portrait of a court dwarf known as 'El Primo' after Velázquez]()
Portrait of a court dwarf known as 'El Primo' after Velázquez![An old man delousing a boy accompanied by three figures, a cat in the foreground; page 40 from the 'Images of Spain Album (F)]()
An old man delousing a boy accompanied by three figures, a cat in the foreground; page 40 from the 'Images of Spain Album (F)!['Barbarous Entertainment', a blind guitarist on the horns of a bull]()
'Barbarous Entertainment', a blind guitarist on the horns of a bull![Plate1 from 'The Disasters of War' (Los Desastres de la Guerra): Sad foreboding of what is going to happen'. (Tristes…]()
Plate1 from 'The Disasters of War' (Los Desastres de la Guerra): Sad foreboding of what is going to happen'. (Tristes…![binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish…]()
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish…![binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish…]()
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish…![Plate 29 of the 'Tauromaquia': Pepe Illo making the pass of the 'recorte'.]()
Plate 29 of the 'Tauromaquia': Pepe Illo making the pass of the 'recorte'.!['Nightmare'; an old woman carrying figures on her back; page 20 from the Witches and Old Women Album (D)]()
'Nightmare'; an old woman carrying figures on her back; page 20 from the Witches and Old Women Album (D)![Plate 10 from "The Disasters of War' (Los Desastres de la Guerra): 'Nor do these.' (Tampoco.)]()
Plate 10 from "The Disasters of War' (Los Desastres de la Guerra): 'Nor do these.' (Tampoco.)![Plate 30 from 'The Disasters of War' (Los Desastres de la Guerra): 'Ravages of war.' (Estragos de la guerra.)]()
Plate 30 from 'The Disasters of War' (Los Desastres de la Guerra): 'Ravages of war.' (Estragos de la guerra.)!['Loyalty' from the 'Disparates' (Follies / Irrationalities)]()
'Loyalty' from the 'Disparates' (Follies / Irrationalities)!['Men in Sacks' from the 'Disparates' (Follies / Irrationalities)]()
'Men in Sacks' from the 'Disparates' (Follies / Irrationalities)![Young woman weeping and covering her face with her hands, accompanied by men; folio 17 (recto) from the Madrid Album 'B']()
Young woman weeping and covering her face with her hands, accompanied by men; folio 17 (recto) from the Madrid Album 'B'!['You'll See Later'; a man drinking, a woman trying to stop him; page 24 from the Black Border Album (E)]()
'You'll See Later'; a man drinking, a woman trying to stop him; page 24 from the Black Border Album (E)![Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help.' (Y no hai remedio.)]()
Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help.' (Y no hai remedio.)![Plate 7 from "The Disasters of War' (Los Desastres de la Guerra): 'What courage!' (Que valor!)]()
Plate 7 from "The Disasters of War' (Los Desastres de la Guerra): 'What courage!' (Que valor!)![Plate 77 from 'The Disasters of War' (Los Desastres de la Guerra): 'May the cord break.' (Que se rompe la cuerda.)]()
Plate 77 from 'The Disasters of War' (Los Desastres de la Guerra): 'May the cord break.' (Que se rompe la cuerda.)![Plate 56 from 'Los Caprichos': To rise and to fall (Subir y bajar.)]()
Plate 56 from 'Los Caprichos': To rise and to fall (Subir y bajar.)